Suede's third album since reforming at the turn of the decade and their strongest since getting back together. While its predecessors, "Blood Sports" and "Night Thoughts" were good but slightly patchy efforts, "The Blue Hour" saw Brett Anderson and co reaching for the heights they stretched for with "Dog Man Star" all those years ago and actually succeeding with a dark and brooding epic of an album which invited you back for repeated listening again and again. Great stuff.
9. LAST GREAT DREAMERS - "13th Floor Renegades" (Review here)
Having announced their arrival in style with 2016's "Transmissions From Oblivion", Last Great Dreamers released a more than worthwhile follow-up with "13th Floor Renegades". Like its predecessor, it sounded as though it had waded into some almighty brawl between the punks and the glam rockers circa 1977 and emerged grinning and clutching the prized scalps from each side. However, it also saw them turning their hands to everything from laid back country ("Miles Away") to psychedelia ("Broken Things" and the epic closer "Going Home") and showed the sound of a band continuing to grow and improve even after all this time in the business.
8. RICH RAGANY & THE DIGRESSIONS "Like We'll Never Make It" (Review here)
Following three excellent albums with the Role Models, "Like We'll Never Make It" saw Rags assembling a new group of gunslingers including Shush's Andy Brook and Gaff from the Dedwardians to create an impressively varied album which was different enough to be distinguishable from his day job but with the killer riffs and hooks very much left intact. More laid back than the Role Models' output, "Like We'll Never Make It" had hints of everyone from The La's ("That World") to Elvis Costello (the title track) and the Dogs D'Amour ("Lose With Me"). Crucially though, every song here had a killer chorus and hooks which stuck in your head for days. Proof that Rags is one seriously talented guy who can turn his hand to pretty much any style of music he feels like and still come up trumps.
7. THE BAR STOOL PREACHERS - "Grazie Governo" (Review here)
Similar to the Interrupters, 2018 was the year where the Bar Stool Preachers went from a band who could potentially be something special to a band who genuinely were as "Grazie Governo" built on the promise shown on their debut, 2016's "Blatant Propaganda" to create a righteous howl of anger at the state of the world. Mixing the ska punk dexterity of Rancid with the sheer fury of the Angelic Upstarts, songs like "Drive" and "Cry Wolf" really show what this band can do and mark them out as the brightest hopes UK punk has had for many a year. Quite simply, an essential album.
6. THE FUTURE SHAPE OF SOUND - "Shakedown Gospel" (Review here)
I'll admit it, for the first 4-5 months or so of 2018, I was genuinely worried about the state of music - it genuinely seemed that 90% of the stuff I'd had in my review inbox just seemed like half-arsed retreads of what had come before and that maybe, just maybe, that everything was running out of steam. "Shakedown Gospel" was very much the album that reaffirmed my faith that there were still great bands out there who were putting out worthwhile albums and what a tonic it was. Signed to the Urban Voodoo Machine's Gypsy Hotel label, this is an album which veered from blues through gospel, rockabilly and voodoo swamp rock to straight-up fire-breathing rock 'n' roll and featuring guest slots from Jim Jones and Big Boy Bloater among others. A real was a wake-up call to other bands that their games needed raising and the album that gave me my reviewing mojo back at a time when I desperately needed it. Thanks guys.
5. GINGER WILDHEART - "The Pessimist's Companion" (Review here)
A late entry on to this list, "The Pessimist's Companion" was a follow up of sorts by Ginger to 2017's "Ghost In The Tanglewood" with him letting the more gentle side of his songwriting out. There was a definite darkness to the self-reflection on songs such as "Why Aye (Oh You)" and "I Love You So Much That I'm Leaving" but elsewhere, "There Is A House" and the quite lovely opener "May The Restless Find Peace" had the overbearing message that there's always hope no matter how bad things may seem sometimes. A genuine note of reassurance in a turbulent year for both the guy who wrote it and probably many who listened to it as well, "The Pessimist's Companion" was a much welcomed arm around the shoulder for the dark moments in your life.
4. THE SPEEDWAYS - "Just Another Regular Summer" (Review here)
Now this I definitely wasn't expecting. Formed from the ashes of Nottingham glam-punk mid-tablers the Breakdowns, the Speedways came up with one of the shock triumphs of 2018 in "Just Another Regular Summer", an album that took its cues from pretty much every great under-rated power pop band of the last 40 years (the Barracudas, Generation X, the Boys, right up to Biters and Ryan Hamilton in more recent times) and came up with the perfect summer soundtrack to afternoons by the BBQ and warm evenings in the pub beer garden. Quite simply if you've not discovered this band yet then you really need to cue this album up as a matter of urgency.
3. THE BRUTALISTS - "The Brutalists" (Review here)
Upon hearing that former Quireboys bassist Nigel Mogg had hooked up with former LA Guns guitarist Mick Cripps to form a new group, most people were probably expecting another Sunset Strip by numbers effort. As it turned out, they couldn't have been more wrong as the Brutalists' debut album took in everything from lagered-up pub rock through "Low" era Bowie style post-punk and mod revival aggro to the odd Chas & Dave style knees-up with Mogg really coming into his own as a frontman and the band sounding supremely tight and assured behind him. Definitely one of the surprise triumphs of the year.
2. EVIL SCARECROW - "Volume IV: Antarcarctica" (Review here)
Four albums into their career and two things are clear - Evil Scarecrow are a) not getting any more sensible with age and b) improving album upon album with "Volume IV: Antarcarctica" picking up nicely where its predecessor, 2014's "Galactic Hunt" left off. With such relatable (!) subjects as killer aliens disguising themselves as Red Riding Hood, gangs of Cosmic Goth Moths and the perils of summoning a two-headed turnip monster when your Satanic ritual goes wrong, the key thing here was that "Volume IV" was packed full of the killer riffs and headbanging choruses that have always made this group such an enjoyable proposition. Ten minute epics based around a "Choose Your Own Adventure" series about guitarist Brother Pain going on an epic quest across a frozen wasteland have never been this much fun, that's for sure. Oh and just in case you were wondering, yes they do use the word "stranglewank" on "Way To Die". Glad we've cleared that up.
1. THE MEN THAT WILL NOT BE BLAMED FOR NOTHING - "Double Negative" (Review here)
"Double Negative" proves beyond a shadow of a doubt that the Men That Will Not Be Blamed... have well and truly grown beyond any notions of being a "novelty" band with a ferocious mix of punk rock, goth and metal converging to create the album which I've definitely found myself coming back to more than any other this year. While there's still a sense of humour at play on the likes of "Supply And Demand" and "Obscene Fucking Machine", it's definitely got much darker over the years. However, "Double Negative" has an punky energy and snappiness that, on reflection, was slightly lacking on its predecessor "Not Your Typical Victorians" while keeping the musicianship of that album intact. Add to this a set of songs such as "Baby Farmer", "God Is In The Bottom Line" and the sinister closer "There's Gonna Be A Revolution" which veer into much darker and angrier but no less addictive territory and you've definitely got something here which stands head and shoulders above anything else I've heard this year. Where they go next is anyone's guess but for now, "Double Negative" is definitely a worthy winner of the 2018 SPR Album Of The Year award.
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